Angoulême 2019 Corben Book 2: Richard Corben a toujours été un artiste fécond

Corben donner corps a l’imaginaire, a retrospective book with the exhibition catalogue

Festival international de la bande dessinée l’Angoulême

Deluxe Edition: Exhibition catalogue and a retrospective book

Jan. 2019. 9e Art+ éditions. Box: Two Hard Bound books with a slip case. Both 160[+8] pgs. 24,5 x 35 cm. Both editions sold out during exhibition. All texts in French. [id]

Exhibition catalogue. 160 pgs. Print run of 1000 copies. Price 39€
Deluxe Edition. Print run of +450 copies. 300 pgs. Price 99€
1. Angoulême 2019 Book 1: Exhibition catalogue with high end scans from the original art plates
2. Angoulême 2019 Book 2: A retrospective book with high end scans from the original art plates

Richard Corben a toujours été un artiste fécond, a retrospective book

pg 1: Richard Corben a toujours été un artiste fécond (trans. Richard Corben has always been a highly productive artist) by Stéphane Beaujean and SidSid Keränen [text in English].
pg 2: “Neverwhere [European]”. The color painting.
pgs 3-5: “Rowlf”, part 1 (1970). B&W art plates for pgs 1, 10, 11
pgs 6-12: “Rowlf”, part 2 (1971). B&W art plates for pgs 12, 19, 24, 25, 30, 31, 32
pgs 14-19: “Frozen Beauty” (1970), Creepy #36 (Warren). B&W art plates for pgs 1-6
pg 22: The color painting for the cover of Eerie #31 (1971), Warren
pg 23: “Bookworm” (1971), Eerie #32 (Warren). The B&W art plate for pg 1
pgs 24-26: “Horrible Harvey’s House” (1971), Skull Comics #3 (Last Gasp). B&W art plates for pgs 6, 8, 10
pg 27: The B&W art plate for the cover of Mobius #1 (1972), unrealized publication
pgs 28-29: “The Pest” (1971), Eerie #33 (Warren). B&W art plates for pgs 6, 8
pg 30: The B&W art plate for “Fantagor and Uk” (1971), Fantagor #1 (Last Gasp)
pg 31: The B&W art plate for “Harrowing Heights” (1972), Grim Wit #1 (Last Gasp)
pg 32: The B&W art plate for the cover of Fantagor #3 (1972), Last Gasp
pg 33: The B&W art plate for “Me and Uk Fishing” (1972), Fantagor #3 (Last Gasp)
pgs 35-42: “Necromancer [VERS.3]” (1972), Grim Wit #1 (Last Gasp). B&W art plates for pgs 1-8
pgs 44-45: “Melton’s Big Game” (1973), Slow Death #5. B&W art plates for pgs 3, 7
pgs 46-47: “Bug” (1974), Hot Stuf’ #1 (Sal Quartuccio). B&W art plates for pgs 1, 2
pgs 48-49: “There’s a Demon in the Cockpit” (1974), Creepy #63 (Warren). B&W art plates for pgs 5, 6
pgs 51-58: “Top to Bottom” (1974), Vampirella #33 (Warren). B&W art plates for pgs 1-8
pgs 60-61: “Wizard Wagstaff” (1974), Eerie #56 (Warren). Color painted art plates for pgs 1, 2
pg 62: “Judas” (1974). The color painted art plate for pg 3
pg 63: “Tarzan and the Lion” (1974), A Feast of Unknown (Fokker Press). The color painting
pg 64: “The Butcher #1: Forgive Us Our Trespasses” (1975), Eerie #62 (Warren). The B&W art plate for pg 2
pg 65: “The Butcher #2: Bye, Bye, Miss American Dream” (1975). The B&W art plate for pg 2
pg 66: “The Dweller in the Dark” (1976), Hot Stuff’ #3 (Sal Quartuccio). The B&W art plate for pg 3
pg 67: “The Mummy’s Victory” (1976), Creepy #84 (Warren). The B&W art plate for pg 2
pgs 68-69: “Time and Time Again” (1976), Eerie #79 (Warren). B&W art plates for pgs 1, 4
pgs 70-71: “Llana of Gathol and John Carter of Mars” (1977), Llana of Gathol and John Carter of Mars (Nelson Doubleday). The color painting. Spread
pgs 72-73: The B&W art plate for “Lizardman and Crows” (1975), Flyer (Science Fiction Book Club). Spread
pgs 74-75: “You’re a Big Girl Now” (1977), Eerie #81 (Warren). B&W art plates for pgs 7, 8
pgs 78-79: “Chard” (1977), Hot Stuf’ #5 (Sal Quartuccio). B&W art plates for pgs 8, 9
pg 80: The B&W art plate for the cover of Eerie #86 (Warren)
pgs 81-83: “Years and Mind Forever” (1977), Eerie #87 (Warren). B&W art plates for pgs 1, 4, 8
pgs 85-92: “A Woman Scorned” (1978), Eerie #90 (Warren). B&W art plates for pgs 1-8
pgs 94-99: “New Tales of the Arabian Nights” (1978), Heavy Metal vol. 2 #7 (HM Communications). B&W art plates for pgs 38, 59, 60, 66, 87, 91
pg 100: “Mutant World” (1979), Warren. The B&W art plate for pg 8 of Part 8
pg 101: The color painting for the cover of Mutant World (1982), Toutain Editor
pg 102: “Pilgor and the Boonthas” (1980), Epic Illustrated #2 (Marvel). The color painting
pg 103: The B&W art plate for “Pilgor Discusses Politics with his Friends” (1979), Scenes from the Magic Planet (Fantasy Forum)
pgs 104-105: The B&W art plate for “Machola Seeks a Remembrance” (1979), Scenes from the Magic Planet (Fantasy Forum). Spread
pgs 106-107: “Den 2: Muvovum” (1981), Heavy Metal (HM Communications). B&W art plates for pgs 29, 30
pg 108: The B&W art plate for the cover of Jeremy Brood, Part One: Relativity (1982), Fantagor
pg 109: The B&W art plate for the bonus page of Jeremy Brood, Part One: Relativity (1982), Fantagor
pgs 110-113: “Jeremy Brood, Part One: Relativity” (1982), Epic #15 (Marvel). B&W art plates for pgs 4, 24, 48, Inside Back Cover
pg 114: “Blue Dragon” (1984). The color painting
pg 115: “The Twilight Realm” (1986), The Twilight Realm by Christopher Carpenter (Pacer Books). The color painting
pg 116: The color painting for the cover of Creepy #146 (1985), Harris Publications
pg 117: The B&W art plate for the cover of Rip in Time #1 (1986), Fantagor Press
pg 118: The B&W art plate for the cover of Rip in Time #2 (1986), Fantagor Press
pg 119: The B&W art plate for the cover of Rip in Time #3 (1987), Fantagor Press
pg 120: The color painting for the cover of Rip in Time tradeback (1990), Fantagor Press
pg 121: The pencil colored version for the cover of Rip in Time tradeback (1990), Fantagor Press
pg 122: The B&W art plate for “Black Death” (1987), Twisted Tales (Blackthorne Publications)
pg 123: The B&W art plate for “Jessie’s Friend” (1987), Twisted Tales (Blackthorne Publications)
pg 124: The B&W art plate for “Cycle” (1987), Twisted Tales (Blackthorne Publications)
pg 125: The B&W art plate for “Children of the Stars” (1987), Twisted Tales (Blackthorne Publications)
pgs 126-127: The color painting for the cover of the video cassette of The Dark Planet (1989). Spread
pgs 128-130: “The Seed from the Sepulcher” (1992), DenSaga #1 (Fantagor Press). B&W art plates for pgs 7, 9, 10
pg 131: The pencil colored art plate for “Cyclops!” (1993), Richard Corben Collector Cards #87 (Comic Images)
pgs 132-133: “Batman: Monster Maker” (1996), DC Comics. The B&W art plates for pgs 3, 8
pgs 134-135: “Shadows in the Mist, Part 2: Tower of Horror!” (1998), Frank Frazetta Fantasy Illustrated #3 (Quantum Cat Entertainment). The B&W art plates for pgs 2, 8
pgs 136-137: “Spear and Fang” (1999), Robert Howard’s Myth Maker #1 (Cross Plain). The B&W art plates for pgs 4, 5
pgs 138-139: “Apposites Attract” (1999), Heart Throbs #3 (DC Vertigo). The B&W art plates for pgs 5, 6
pgs 140-142: “The House on the Borderland” (2000), DC Comics. The B&W art plates for pgs 8-9 (spread), 21
pg 143: The B&W art plate for the cover of Cage #2 (2002), Marvel
pgs 144-145: “The Punisher: The End” (2004), Marvel. The B&W art plates for pgs 13-14
pg 146: The B&W art plate for the cover of “Swamp Thing [#8]” (2004), DC Vertigo
pg 147: “Woman and Tree” (2010), unpublished B&W illustration
pgs 148-149: “Conan #51: Hunter’s Moon” (2008), Dark Horse. The B&W art plates for pgs 17, 19
pgs 150-151: “Hellboy #45: The Bride of Hell” (2009), Dark Horse. The B&W art plates for pgs 14, 23
pg 152: The B&W art plate for the cover of Rat God #3 (2015), Dark Horse
pg 153: The B&W art plate for the cover of Rat God #4 (2015), Dark Horse
pg 154: The B&W art plate for the cover of Rat God #5 (2015), Dark Horse
pgs 156-159: Bibliographie établie par Éric Séébold